Tag archives for travel photography
Calling all photography enthusiasts: Join @NatGeoTravel this Thursday, June 18, at 1 p.m. ET for a Twitter chat with National Geographic photographer Jim Richardson.
Travel photographer Elena Ermakova loves to discover new places and share them through her lens. “I want to show all faces of our world: beautiful and ugly, weird and inspiring,” says the Moscow native. Elena brought herself—and her great photographic eye—to our attention by tagging her photo of a vibrant street scene in Kowloon with #NatGeoTravelPic on Instagram. Here’s a look at how she got the shot, and why she loves Hong Kong.
Catherine Karnow has been part of the Nat Geo family for the past 15 years, going on assignment for both National Geographic and Traveler, where she’s a contributing photographer. She also shares photography tips on the Nat Geo Travel site and leads photo seminars and workshops for the Society. Here’s a look at the world through her unique lens.
In addition to being longtime contributing photographers for Traveler magazine, my wife Sisse and I are frequently invited to join National Geographic Expeditions trips as photography experts. On a recent trip to the Macaronesia Islands, we had 25 passengers sign up for a photo workshop with us. We gave them assignments, or themes, to explore throughout our journey. Here’s one of the lessons learned along the way.
Travel photography is, on the surface, a very simple endeavor. Go to a faraway place, stand in front of something you can’t see at home, and take a picture. What’s so hard about that? Well, that may well be the recipe for generations of boring family albums. Find out how to up your photography game when you’re exploring the world by joining @NatGeoTravel’s Dan Westergren for a live photo workshop at 1 p.m. ET on Thursday, October 2.
Amy Toensing, an American photojournalist committed to telling stories with sensitivity and depth, is known for her intimate essays about the lives of ordinary people. A regular contributor to National Geographic and National Geographic Traveler magazines, Toensing’s assignments have taken her all around the world, from the Jersey Shore to the remote jungles of Papua New Guinea. Here’s a look at the world through this award-winning photographer’s unique lens.
Have you ever wondered what makes an award-winning photograph? Here’s your chance to find out. Join the judges of the 2014 Traveler Photo Contest for a Google+ Hangout On Air, and get the inside scoop on how they chose this year’s winners (they’ll be announced at the end of July!) from more than 18,000 submissions.
Joel Sartore is, among other things, a lifelong Nebraskan, an Eagle Scout, and a veteran photographer for National Geographic magazine. He’s also someone who cares deeply about the fate of our planet, and the species that depend on it, including us. Here’s a look at the world and all that’s in it through Joel Sartore’s unique lens.
This year’s National Geographic Traveler Photo Contest is winding down. So far, the entries have been surprising and stunning, but the winners are far from being chosen.
The June 30 deadline is fast approaching, but there’s still time to throw your hat in the ring. Here’s how to enter–and what you could win.
Here at National Geographic Travel, we like to celebrate and explore new destinations and rediscover the classics. And with hundreds of thousands of cities in the world, there’s always something new to learn. That’s why we started our popular I Heart My City series, where locals share insider intelligence about the places they know and love best.
Now we’re asking you to show us your city–the people, places, and moments that make it unique–through your own travel lens. Participate in the I Heart My City YourShot photo assignment for a chance to be featured on the Nat Geo Travel website. The deadline to submit your photos is on Monday, February 17.
Reader Question: Do most National Geographic photographers shoot in raw format? And if they do, why?
Reader Question: What’s the best lens for landscape or cityscape photography?
My Answer: When I’m trying to make an interesting landscape or cityscape picture, but nothing seems to be coming together, I find it useful to work at opposite extremes with regard to lens choice.